Tuesday, 9 November 2010
Monday, 8 November 2010
Friday, 15 October 2010
Comfort! Casual! Fashion!
Hope everything is fine with you ! I received my Juicy Couture T-shirt from the shop:=%www.obsgtobuy.info*& ,It' very beautiful and suit me perfectly.There are kinds of T-shirt in the shop,and all the products with good quality and low price.The shipping is very fast.They update the produts everyday.Very good ! Share with you ! And you can have a try !
Friday, 16 July 2010
Monday, 27 April 2009
Your account
Worldwide shipping.
.. because health matters most.
--
Best Regards
Philipp Schmiedt
University of South Carolina
www.musc.edu
Thursday, 7 June 2007
Inspiration
Gorgeous stuff from Chris Goode on his most recent piece at Plymouth, which has chimed in a way which makes my insides soar a little. Y'know, in a good way:
I'm not one of those hairshirt experimentalists who despises story or disagrees with the fundamental importance of narrative to our lives and behaviours and relationships: but I think the idea that a theatre piece ought to tell a story is basically misguided. As human beings we don't experience stories. We experience ideas, images, moments, indications, and we sort through them using a bunch of different ordering and mnemonic technologies, of which narrative is one of the strongest and most effective. It's important that we tell stories to each other, and some of the fragments that come to us in our experience will of course be other people's stories, and that's important too. But for story to be meaningful, we have to order -- in other words, to author -- it for ourselves. I want theatre, the art form that is most like lived experience, to be faithful to that process. Stories are not what we see, or hear, or sense: they are what we remember, or what we may sometimes predict. So when you come to the theatre I want to give you an array of vivid and polyvalent experiences -- ideas, images, moments, indications -- and I want the sorting of those experiences into whatever kind of story makes sense to you (if that's what you want) to be your task for the onward journey. Those of us who made the work have our own ideas, sure, but equally, much of the excitement for us is knowing how many stories we may be initiating that we don't know, that we've never heard.
I think I'll be scribbling this down on a scrap of paper and stuffing it into my bra for handy reference during rehearsals.
I'm not one of those hairshirt experimentalists who despises story or disagrees with the fundamental importance of narrative to our lives and behaviours and relationships: but I think the idea that a theatre piece ought to tell a story is basically misguided. As human beings we don't experience stories. We experience ideas, images, moments, indications, and we sort through them using a bunch of different ordering and mnemonic technologies, of which narrative is one of the strongest and most effective. It's important that we tell stories to each other, and some of the fragments that come to us in our experience will of course be other people's stories, and that's important too. But for story to be meaningful, we have to order -- in other words, to author -- it for ourselves. I want theatre, the art form that is most like lived experience, to be faithful to that process. Stories are not what we see, or hear, or sense: they are what we remember, or what we may sometimes predict. So when you come to the theatre I want to give you an array of vivid and polyvalent experiences -- ideas, images, moments, indications -- and I want the sorting of those experiences into whatever kind of story makes sense to you (if that's what you want) to be your task for the onward journey. Those of us who made the work have our own ideas, sure, but equally, much of the excitement for us is knowing how many stories we may be initiating that we don't know, that we've never heard.
I think I'll be scribbling this down on a scrap of paper and stuffing it into my bra for handy reference during rehearsals.
Thursday, 17 May 2007
A New Lease Of Life
Hoorah!
We are back!
Or at least we will be quite soon.
The Dark Side will be appearing in Camden People's Theatre's Sprint Festival on the 24th and 25th June.
We are starting work on the show again in a few weeks' time and this time we'll be integrating a design team, to develop it into a full length piece.
And we'll be asking for your clever help again.
Oh yes we will.
Bet you can't wait.
We are back!
Or at least we will be quite soon.
The Dark Side will be appearing in Camden People's Theatre's Sprint Festival on the 24th and 25th June.
We are starting work on the show again in a few weeks' time and this time we'll be integrating a design team, to develop it into a full length piece.
And we'll be asking for your clever help again.
Oh yes we will.
Bet you can't wait.
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